Saturday, October 17, 2015

Finding Exhibition Venues

Art Cloth Network Blog: Finding Exhibition Venues

My blog posting is about the various ways you can search for exhibition venues. Once you see how many opportunities are available out there for your work as an individual and also for our group you will be energized to go submit your work!

Online resources
This is by far the easiest way to find venues. You can sign up for various lists that send you upcoming opportunities on a regular basis. Below are some of the best ones.

Café Management
There are hundreds of possibilities on this site. It takes some time to go through them but there is always something of interest from exhibits to residencies and everything in between.

Similar sites include:

Fiber specific exhibit info is available on both the SDA and SAQA sites.

You can also follow local and regional museums and organizations:

For example, this is the Wisconsin Museum of Quilts and Fiber

And there are individuals who post possible entries on their blogs and email letters

For example, Lyric Kinard, a fiber artist in the North Carolina has a call for entry list on her website.

Usually if you sign up to follow or get on the email list the information will come to you on a monthly or weekly basis.  Going htrough the listings can take time but you do hone your eye to see the words that matter.  And it is ifun to see hwat kinds of exhibits are going out there in the broader art world.  Also many ehxiibts now include fiber as a medium which allows you to submit and show in a different environment.


Barbara S.

Friday, October 9, 2015

The Season of Making...

Want to see what Art Cloth Network member Russ Little is doing in his studio these days?

Click here to see a recent blog post by Russ.

Monday, October 5, 2015

Heading to Houston...

As a new member of Art Cloth Network, I am excited to take my book, Wild and Wonderful 3-D Quilts, to the International Quilt Festival in Houston, Texas this month!  The book features fast, fun, and easy techniques to make four different projects.

My quilt It's a Jungle Out There will be in Houston as a part of the Studio Art Quilt Associates Wild Fabrications exhibition.  If you go, look for me at booth 2014.  Hope to see you there!

Tuesday, January 13, 2015

Call for New Members

The Art Cloth Network call for new members January 15 – March 15th 2015.

Art Cloth - cloth transformed by adding or subtracting color, line, shape, texture, value, or fiber to create ao0Hf2IwQMS compelling surface and composition that reflects the hand of the artist.

Members of our group find that the opportunities for community, conversation, sharing of techniques, inspiration and resources have benefited our art and creativity. While some of us also make art quilts or mixed media work, the group is focused on art cloth and its specific surface design techniques and approaches that meet the definition above. This includes making lengths of art cloth, art cloth to be used in art quilts and/or wearable art that comprise a body of work that reflects your creative hand.

Send a request to in order to receive detailed information and application instructions.

Tuesday, December 2, 2014


Many fiber artists enjoy dyeing, printing and painting transparent fabrics such as organza.  When the piece is complete it is sometimes a challenge to finish the edges so they compliment the piece.  Try the following simple method:


1.      Steam-press the side and bottom edges over 1 inch to the wrong side of the piece.

(Photo 1)


2.  Sew a narrow satin stitch along each folded edge.  You will need to experiment a bit to determine the stitch width and length that provide a smooth finish

(Photo 2)

3.      Lay a small pair of sharp scissors against the stitching and carefully trim away the excess fabric as close to the stitching as possible.

(Photo 3)

4.      Press.  

(Photo 4)

5.      The top edge can be turned to the wrong side to form a rod pocket. A hand stitched hem will complete the piece


Hints: I like to use machine embroidery thread.  Select a color that either blends with the colors in your design or contrasts for extra pop.   


Barbara James

November, 2014


Sunday, October 26, 2014


This is my piece that was NOT juried into last year's challenge.  I am very fond of it and it just sold.    It's two layers of silk which were dyed together so they are the same pattern but because they are different weight and texture fabrics they took the dye completely differently color-wise.  I have embroidered to emphasize the white sparks and added a salting of foil to give it that added sparkle.

(from Deborah Weir )


Monday, April 28, 2014

Latest art cloth work, not quite finished yet, but close.
Title as of now...
Beginning. 36 x 36", Silk broadcloth, hand dyed, discharged, screen printed, hand painted...
thinking about some
hand embroidery/beading...we'll see.

Saturday, January 25, 2014

Amaryllis play

I have been playing with the photos I took of a blooming amaryllis. This one was solarized and I like what happens with the areas of the petals that are more transparent. It makes the ruffly red edges pop. There may be more amaryllis experiments in the next few days!

Thursday, January 23, 2014

Water Colors exhibit hanging in progress

Today I spent 5 hours with photo intern, Amber Benson, hanging my Water Colors exhibit for 4th Friday. It went well but hanging 16 pieces is a LOT of work, hanging plus lighting plus labels, artist statements, postcards, email sign up list and other assorted materials needed to be dealt with as well. I think it looks good. Here are a few photos from the hanging. If you can come out to the Starline Gallery in Harvard, IL on Friday, January 24 from 6-9 pm it would be great to see you and I guarantee a good time!

Tuesday, January 21, 2014

Gallery space transformation

 This is the way the gallery space outside my studio looks today. Tomorrow I will be working with the 4th Friday interns to hang the 20+ pieces in my water reflection series for the featured artist show at 4th Friday at the Starline. I will post photos tomorrow of the transformed space.

Wednesday, January 15, 2014

New postcard

Off to the printer! I just created a new postcard using Line Dance, Tree Ring pattern, var. 5 as the image. I think it works well as a postcard and I hope to have them in time for my solo show on January 24 but I may be just a little too late in ordering them. Life goes on.

Sunday, January 12, 2014

Junichi Arai – A National Treasure

Linda Dawson here.

Junichi Arai was born in the early 1930s in Japan to a family of weavers of kimono fabrics.  Followed in his family’s tradition, he grew to love fibers and helped bring the ancient art of shibori into the modern age through the use of new and experimental materials which embraced metals as woof, warp or both. He has grown from dyeing with indigo and other natural substances on cotton, silk and other natural fibers to applying disperse dyes on poly based fibers woven with fine metal. Visit his latest exhibit in Japan through the wonders of the internet: and the slide show here is great:  The knowledge and skills he developed through years of study and artistic creation has earned him the designation of National Treasure and he is revered throughout Japan for his contributions to the arts.

I first became acquainted with the his works sometime in the 1990s. My friend, Mei-Ling St Leger, attended a Surface Design Association Conference in Kansas City where she attended a workshop he conducted.  She learned the technique of melt-off using lame’ fabrics. She taught me the basics and  I really fell in love with the process. The process I am using here to create my melt-off requires a lame’ fabric which is a combination of nylon and aluminum. Part of the aluminum is eaten off which leaves just the nylon in places. The cloth is then dyed with wash fast acid dye.  Here is a piece I created for The Red Show at the Hillsborough Community College Ybor City Art Gallery.

Pete with Name That Color_edited-3
This photo shows the piece hanging from the ceiling at the gallery. 
Melt-off red close-up

 This is a close up of the inner layer showing the melt-off. I use silver lame’ and over dyed with mixture of red and yellow wash fast acid dyes.

This picture is of a 6 yard piece I created for a show at the Art Center Manatee. This one was created from gold lame’ which was over dyed with chocolate wash fast dye.

 This is a close-up of the chocolate piece.

Spider Web Shibori Melt-Off12

Spider Web Shibori Melt-Off13

Here are two pictures showing the gold/chocolate piece during its creation.
The first one shows the piece wrapped and clamped ready to go into the stripping bath. The second shows the piece after it came from the  dye bath and before the wrapping and clamping were released.

And finally here is Mei-Ling with one of her pieces.
Mei-Ling 1
And these are her Chrysalis pieces.
I offer this technique to you today to add to your tool kit. It is a simple, but elegant, technique. You must use a lame’ that has aluminum for the metal which is usually woof and nylon for both woof and the warp. Since this is a shibori project you should manipulate the fabric in any of several shibori techniques. The fabric is then placed in a solution of water and soda ash (scant 1/3 C soda ash to 2 gallons of water) which has been brought to a simmer. Two things will happen. The nylon will become permanently pleated due to the heat and the alkali solution will eat (melt) off the aluminum. Simmer this for 8 to 10 minutes, but watch closely as the aluminum will suddenly be gone and the alkali solution can penetrate the resist. You will then be left with a piece of nylon. Remove the fabric and immediately rinse with tap water. I do this outside complete with Darth Vader mask to keep the fumes out of my house and away from my cat. And I have the hose ready to go immediately to stop the action of the soda ash and begin to cool the fabric. The fabric is now ready for an acid dye bath. You can either leave the resist in place, remove parts of it or remove it all before dyeing. ProChem has wonderful directions for the wash fast Acid dyes at this site: I usually use the white vinegar since it is so readily available. Please take GOOD HEALTH precautions and use rubber gloves, a good mask, preferable a Darth Vader type, and always rinse your fabrics with water between techniques to prevent the accidental mixture of a noxious gas.
Keep watching, as I am ready to start some experimentation with the melt-off technique and will be posting further results here later in the month.

Water Colors exhibit

Coming too soon is my solo exhibit at The Starline Gallery. I will be showing about 18 art quilts and art cloth pieces from my water reflection series. Some of these pieces have not been gathered together in quite some time. I just received Reflections, Venice, var. 2 back from its sojourn at the U. S. Embassy in Vientiane, Laos.  More information to come as the I get closer to the date. Now it's time to clean studio, make labels, finish poster, get work ready to hang and ......