Saturday, November 15, 2025

SAQA at The 2025 Philadelphia Craft Show by Dianne Koppisch Hricko

 I was very excited to be invited to have a piece in the SAQA booth at this years Philadelphia Craft Show. I have lived in Philadelphia since the show began in the early 70's and it is always impressive. This is the first time I have had work in it. 

Breakaway 
22.5 x 31

The SAQA booth had great placement and I am sure lots of people got to see the works. 


I am including images of works that I really enjoyed and I am sure that SAQA will be blogging about this with lots of much more professional shots as well as the names of the artists. 

Several of us have been interviewed too and I am told that will be up on SAQA's social media sometime in December. 

It is so exciting to see fiber really coming to the forefront. 

































Thursday, November 13, 2025

Art Cloth Network joins Craft in America's National Initiative


Today we celebrate the launch of @handwork2026! 


Art Cloth Network is proud to join more than 250 arts organizations across the country who will be hosting exhibitions and events throughout 2026 to showcase the importance of the handmade throughout our country’s history and in contemporary life. 


Presented by @craftinamerica, #Handwork2026 celebrates the diversity of the crafts that define America, bringing compelling stories and underrepresented art and artists into the spotlight.


Our first Handwork 2026 event will be a presentation of LAYERS at Praxis Fiber Workshop in Cleveland, OH from January 11 to 22, 2026.   Visit handwork2026.org for more info! 



Sunday, November 9, 2025

The 2025 Philadelphia Craft Show by Dianne Koppisch Hricko

Some artists I found exciting at the 2025 Philadelphia Craft Show  

Almost all of these have a wearable bent. But they could all be ACN. I couldn't get photo's of all the booths, so I have  provided their websites. I think you will find them as exciting as I have. 



Its a great show and happens every year around this time. 



K Riley

www.krileywearableart.com 


Betsy Giberson

betsygiberson.com



Design in Textiles by Mary Jaeger

maryjaeger.com



Kristin Gereau

www. KGTextiles.com


Anddrea Geer

andreageerdesigns.com 


Agathe Bouton

www.agathebouton.com

There was so much more to see and admire, but these intrigued me.



Saturday, November 1, 2025

Browns by Mary Vaneecke


All. Those. Browns.  

This new series is definitely not my usual color palette. 

What colors are you working with?  


maryvaneecke.com

Friday, October 24, 2025

ACN Blogpost Adding Light to My Art by Barbara Matthews

I have resisted adding light to my art because it would introduce an extra complication for galleries. However, I relied on the gallery to be able to have natural light for the piece. That was frequently not the case.

In an early attempt, I utilized LED strips that required soldering together—Yikes—more complicated than I could handle and consequently not successful.

I did have success with one small piece, Hug or Kiss, using LED strips and a battery pack. The battery had a surprisingly short life, enough to last through the opening reception and a few days after, but not for the entire run.

Hug or Kiss? 12" x 12"

In the 15 years since my first attempt, the lighting offerings have advanced. I found under-the-cabinet LED lighting that has proven to be easier to incorporate as options for my art.

The strips come in 10, 12, and 16 inch lengths, have magnets to aid installation, an internal battery, usb connections to plug into an outlet, and a remote controller.

I constructed from wood a separate piece that could be placed behind the art. A slight angled cut on the top shone the light directly on the art. Adding two flat washers to the top allowed the light strip to snap securely into place. At home I turn the lights on and off in the evening. At the gallery, the lights could be plugged in with a usb cable that I will supply.

Wood base on left with flat washers

USB connection and controller



Position of lighting behind art piece
Piece before lighting


Piece lighted



With wall art there are different challenges, the lights are more integrated into the piece.

In the wall art below with a foundation of acrylic glass, the challenge was to find a way to add metal where the magnets on the lights could attach.

Two small corner brackets found at the hardware fit the bill and these could be glued using E6000 glue.

Corner metal brackets glued to the acrylic back

Light strip in place


Fiber Disguised 16"x33"x2"  before lighting

Piece lighted






Saturday, October 11, 2025

I Work With Intention by Barbara James


My work is informed by the lush landscapes and historic character of my home in the Lowcountry of coastal South Carolina. When I am thinking about a new piece, I look around and see many possibilities. Before beginning, I often take photographs and may even do some additional reading or interviewing about the subject of my piece.  I then start to work letting the materials guide me in an intuitive manner. 

 This year’s Art Cloth Network juried exhibit theme,” Intersections”, inspired me of make art works informed by the Rails to Trails Conservancy, a national system of connecting trails used for biking and walking. 



The Beaufort, South Carolina section of the trail is called the Spanish Moss Trail with 10 miles of trail that have repurposed the former Magnolia Rail Train Line, rich with history and local color.  I took photos of buildings and foliage along the path, a small portion of the railroad bed that can be seen intersecting it and sections of the new paved trail.






The selection of materials proved a challenge, but that came together when I found some artifacts and dove into my stash of vintage fabrics and trims. I determined that the materials needed a historic appearance that could to achieved by wrapping fabrics and vintage handwork around rusted objects found along the trail and in the foundry where the metal was smelted to build and repair the track. The fabrics and handwork were then tea dyed. 




 I worked in small sections and hand stitched the pieces together with scatter stitches and French knots. This not only connected the pieces, but added interest and helped tell the story. I mounted the piece on white cotton and continued to stitch in an intuitive manner.

Here is a photo of the completed piece.



                                                            Rails to Trails 1

                                                            18.5"W x 14"H

Here are some detail shots.






 Click here for for a link to Barbara's website

 

 

 

 

 

 

 

Thursday, September 18, 2025

Creating a Gallery by Barbara Schneider


Over the past 18 months I have been gradually developing a gallery display and exhibits for a space at the First Congregational Church in Crystal Lake, IL.  This project started, as many seem to, do with an entirely different goal.  I got involved with the renovation of what had been Fellowship Hall at the church – which needed everything from new flooring to paint, tables and chairs to light fixtures.  Like a lot of projects it grew a bit as time went on and ended up including the 40 foot hallway that runs along the outside of the large room. The walls in that hallway were constantly scuffed or scraped and just non-descript in every way.

I suggested, half-jokingly, that it would make a great gallery space.  There was discussion about how would it work, why bother, who would handle, who would PAY, etc.  In the end I have become a gallery director by default.

It has turned out to be a great project – for the church and for people coming through and for me.

We scraped together funds to buy a hanging system and to have 10 – 16 x 20 white frames made. That allows us to show either 11 x 14 pieces matted and framed, or 16 x 20 pieces unmatted and framed. We can also show other artwork that comes framed or that I figure out how to hang in some other way.

I created an artist call and also contacted artists directly. The exhibit changes every two months.  We have a framed artist statement and photo. I have enlisted two helpers for hanging and take down. I have artists scheduled through the end of 2026. Our outreach is expanding to include work from local organizations and elsewhere.

The members and visitors who come through often comment on how much they enjoy the exhibits and how they see things in new ways.

I have shown pieces from my Beautiful Faces series, we have had a nature photographer with his winter landscapes, the Sunday school kids created their own art for an exhibit, we featured collages of music and performances that were significant to the church in some way. Upcoming exhibits include:

·       Veterans portraits from the local area by Jeannine Soldner, a well known painter

·       Make a Way – An exhibit by Ileana Soto and other artists based on the writings of Lewis

·       An exhibit by the Pioneer Center (developmentally challenged clients)

·       An exhibit of pinhole photography

I am finding it to be an interesting and exciting opportunity to build community and awareness in a new way. Below are some photos of the gallery (long and narrow so hard to shoot).

 

The first two photos show the artist statment and some of my series Observations


The photo below is from the exhibit of kids art last summer.
 
 
The photos below are from our latest exhibit of Veterans portraits. The artist, Jeannine Soldner has created a series of 24 portraits and then stories that has been shown n many places. We have 8 of her portraits of local veterans.


I hope this inspires members to look for, or make, or through serendipity, fall into gallery possibilities. If this is a mile to far, try curating an online gallery through SAQA, Studio Art Quilt Associates, You get a lot of support and it is a really engaging experience.